"The photographs of Billocq. HYDROCEPHALIC. 89 glass plates survive. Look at the pictures. Imagine the mis-shapen man who moved round the room, his grace as he swivelled round his tripod, the casual shot of the dresser that holds the photograph of the whore's baby that she gave away, the plaster Christ on the wall. Compare Christ's hands holding the metal spikes to the badly sewn appendix scar of the thirty year old naked woman he photographed when she returned to the room-- unaware that he had already photographed her baby and her dresser and her crucufix and her rug. She now offering grotesque poses for an extra dollar and Bellocq grim and quiet saying No, just stand there against the wall there that one no keep the petticoat on this time. One snap too quickly catching her scorning him and then waiting, waiting for minutes so she would become self-conscious towards him and the camera and her states, embarrassed at just her naked arms and neck and remembers for the first time in a long while the roads she imagined she could take as a child. And he photographed that.
What you see in his pictures is her mind jumping that far back to when she would dare to imagine the future, parading with love or money on a beautiful anonymous cloth arm. Remembering all that as she is photographed by the cripple who is hardly taller than his camera stand. Then he paid her, packed and she lost her grace. The picture is just a figure against a wall."
December 14, 1999
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